Home Latest Movie Reviews Jiivi Tamil Full Movie Review

Jiivi Tamil Full Movie Review

Jiivi Tamil Full Movie Synopsis:

Frustrated at his bombed sentiment, a savvy man chooses to take from his landlord’s home. Indeed, even as he thinks of sharp approaches to outflank the cops, he understands that his activities are echoes from the past.

Jiivi Tamil Full Movie Review:

Saravanan (Vettri, whose presentation is vastly improved here than in his introduction, 8 Thotakkal, yet at the same time has opportunity to get better), the hero of Jiivi is certainly one of the fascinating lead characters we have found in Tamil film over the most recent couple of years. He is somebody who has dropped out of school since he accepts handy instruction is learning. He’s likewise inquisitive. He is the sort of fellow who peruses a ton of books and likes to watch an infotainment channel even while his flat mate, Mani (Karunakaran, powerful) needs to observe late-night indicates where specialists offer sex guidance. He is somebody who doesn’t stress a lot over ethical quality. When they choose to take from their landowner, a lady with an invalid spouse and an outwardly tested little girl, Mani inquires as to whether he isn’t stressed over God watching their activities, he answers, “Naama kashtapadumpodhu paathuttu dhaana irundhaaru?” He doesn’t wince when the neighbor whom they have made the fall fellow for their wrongdoing approaches them as companions. It is no big surprise that we see them viewing Mankatha, another film with a saint who did unheroic things proudly. This scene even has a line – Enakku naan dhaan saint – that clarifies Saravanan’s character and furthermore fills in as a meta minute for the film’s lead entertainer.

What’s exceptional about Jiivi is that it doesn’t revere or defame Saravanan. Like it’s saint, the film investigates his activities. Both executive VJ Gopinath and essayist Babu Tamizh are progressively keen on demonstrating to us the knowledge of this character and the special situation where he winds up in the last 50% of the film. They figure out how to clarify the idea – synchronicity – without befuddling the watcher, utilizing Mani’s character to make the piece feel like discussion. They additionally present strain in unpretentious ways – an irritable cop, a roof fan that may tumble off any minute – and keep us snared.

In fact, as well, the film is as smooth as its composition, transforming it into one of the significant spine chillers of the year.

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